#1 Stories created and recorded for the main purpose of selling soap
#2 One of many possible results of a network-corporation partnership employing precarious contract workers
#3 A forefather to wrestling, tv news, the The Wire, and political debate
#4 The NeverEnding Story (1984)
#5 A daytime serial built on the five characteristics of: seriality, real-time orientation, pseudo intimacy, techniques of story exposition, and cleansing rituals
#6 The virtual brought to life on a regular basis
#7 Soap Opera: An extended dramatic composition used with water for washing, cleaning, odorizing, and coloring, often with instrumental accompaniment
#8 A narrative weaving in figure-eight patterns
#9 A broadcasted mediated drama series dealing with daily events in the lives of a core group of unreal but life-like characters played by actors
#10 Introductory segments followed by teasers and advertising and promotion with scenes of scripted life peppered throughout
#11 A compilation of all the technical and historical details of a fictional universe
#12 The corporate takeover of a medium once owned by and in service of the public
#13 A multiplicity of revenue streams constantly promoted through programming that serves the interest of garnering a loyal audience and solid profit margins
#14 Intentional dysfunction and provoked ire intended to rally a community of searchers (aka fans)
#15 An unnecessary commodity never required to make sense of the original text
#16 Immersive narratives so large that no one person can internalize their full history
#17 Its interpretation is left entirely to the fans and its history resides in their collective memory
#18 A quest for the authentic that lies behind the manufactured mask
#19 What is for one fan a hero is for the next a villain
#20 The longest of arcs. An arc of arcs
#21 A sustained alternative operation running parallel to the world occupied by its audience (Another World)
#22 A genre which is known by all: those who love it, despise it, and are indifferent to it
#23 A low rung on the cultural ladder and looked down on as such, but necessary for the integrity of the ladder
#24 An adaptive and enduring form capable even of life after death
#25 An active, intellectual, and mature form of participation
#26 Interventionist structuring techniques
#27 Intimacy derived from regular attendance over a long period of time
#28 Loosed from its marriage to commercial advertising by the DVR, and set free from the heavy hand of its chemical company father, today’s soap opera is a free agent with vast and heretofore inaccessible potential
#29 An interplay of allegiances, both onscreen and off, that provide enjoyment and employment for its subjects
#30 Live television programming on a two-week to six-month delay
#31 An active afterlife of: shared conversations among fans, in-program flashbacks, sanctioned text recaps, fan compilation YouTube videos, transcripts, and myth
#32 A daily promise of more
#33 Even death has no dominion
#34 Debut: October 20, 1930 on Chicago radio station WGN
#35 The grieving process on display
#36 A vehicle for passing time with those you care about
#37 A strong or exaggerated emotional display of content
#38 A flagrant shattering of work-based identity
#39 Fragmented narratives consumed, by design, in equally fragmented fashion
#40 A place where everyone is related, for a time, at one point or another
#41 Time stops for haircuts
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